Painting 33

Mapping Shapes;
I started mapping shapes using a monochrome color plaste within another monochrome wáter colored background to refine as worked with .- undercolor paste has proved to be quite useful to work from dark to ligth and then with acrylic again do it the same refining darks first, to finally define with ligth color, "block in as needed" surronding the figure was the key to maintaining figure´s impact as a centre of interest care had to be taken not too focus to much on surrounded details, yet still render it convincingly. this is an excersice ref PO632 previous to a new painting in which I´ll give three passes from dark to clear by three different médiums in order to give and keep ligth as much as posible

                 Ref PO632 the wild horse

 

  There is something about the outside of a horse that is

 good for the inside of a man