As I have learned more, I´ve come more aware of how they are intimately intertwined, painting wáter,sunsets etc involves such interaction
Viewers see the subject but feel the color and light, in a given form, the illumination transform the subject.- try to créate rather the mood of such scheme the effects of the atmosphere and illumination as something unconscious,.
You need to have a light plan and sitck to it
know your color Wheel, if you shift mixtures in different ways know where your pigments fit.
Know your "gamut" the gamut is the full range of colors that can be mixed by a given set of primary colors,.- is the región of the color Wheel that represents that range, wheter you prefer premixing, free mixing or limited palettes be sure of the boundaries of your gamut.- planning a color scheme is like paching for a long trio in a small suitcase, think hard what to include and what to leave behind
Compare.- within a scene colors and values are know by their relationship rather tan by absolute value in other words as you paint you most constantly make comparisons from one área to another
Well I did the following paint inspired in a brother picture fishing, the limited palette was made just with grey payne, White, ochre, ultramarine blue and Brown dark shadow.- but mostly grey payne and light "White" relationship
PO659
There is no greater fan of flying fishing than the worm
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