It is a blog, about oil, acrylic, watercolor paintings through out several technics to improve and learn in a weekly base.- I am a person who loves art - I'm having a good time, working this blog, to keep learning, sharing and looking how to enhance the relationship of value and balance of color for my work. Art is primarily a state of the soul is not a thing, it is a way
sábado, 23 de septiembre de 2017
Ref 1212 Mixed sandwich technic sequence.-
Watercolor - ink - watercolor
"Who is ready for Autumn; pumpkins, spice and everything nice"
Graphic sequence
Wet on wet sketching plus skattering crystals of salt to create texture over some masking lines and/or spattering
2nd Step.- Ink lines and shadowing with brush
3rd Step Once completed, watercoloring again dripping the brush in soapy water, integrating with absorbent paper basically into the water reflexion área
Ref 1211. Watercolor and ink exercise
>>>"What happens in this ship, stays in the ship" <<<
Use for the first time of a new set of watercolor pan, however, the paper wrinkled and torn, despite stretching before, so I just finished quickly with an ink pen, instead of just using watercolor as my main objective
>>>"What happens in this ship, stays in the ship" <<<
Use for the first time of a new set of watercolor pan, however, the paper wrinkled and torn, despite stretching before, so I just finished quickly with an ink pen, instead of just using watercolor as my main objective
martes, 5 de septiembre de 2017
Ref 1210 Watercolor pencil over Strathmore 500 colored paper
The effects you achieve depend not only on how you apply the pigments, but also on how you add water. I usually scribble tone in with an energetic zigzag effect. Then I wet with broad areas of water applied with a soft brush, yielding a blended wash with a bit of a linear pattern remaining. You may prefer a more controlled cross-hatching to achieve this broken tone–try it. Use a single color or as many as you like, either simultaneously or one at a time, washing with water and allowing it to dry before adding another
This is the result of this particular Project; working over Strathmore series 500 Brown ligth colored paper
"Farewell on a date of love"
Basic steps;
1.- Watercolor pencil main idea sketching
2.1 .- Smooth Pencil, Water Added Lightly
I applied this blue with a fairly even application of pigment–nearly flat, fading to a relatively smooth but light application to the right top. Then I quickly and lightly added water. It still lifted the pigment to a considerable degree, but you can see the pencil lines under it
2.2 progress
3.- Sometimes I reinforce tones scrumble more pencil over dark zones in a semi.wet condition. integrating them with and absorbent paper and care to avoid to lift up much painting
3.1.- progress
4.- This paper isn´t White so the addition of this color will really enhance the painting
Tip, where the ligths are suggested I moistened the paper with a brush and in the center added the White color spreading from the center integrating again with paper
5.- Final touchs, more definition between shadows and ligths and sometimes I use again watercolor pencils to reinforze some líneas or áreas without added wáter at all, but let it dry throughly to be certain with results, before finish it
The effects you achieve depend not only on how you apply the pigments, but also on how you add water. I usually scribble tone in with an energetic zigzag effect. Then I wet with broad areas of water applied with a soft brush, yielding a blended wash with a bit of a linear pattern remaining. You may prefer a more controlled cross-hatching to achieve this broken tone–try it. Use a single color or as many as you like, either simultaneously or one at a time, washing with water and allowing it to dry before adding another
This is the result of this particular Project; working over Strathmore series 500 Brown ligth colored paper
"Farewell on a date of love"
Basic steps;
1.- Watercolor pencil main idea sketching
I applied this blue with a fairly even application of pigment–nearly flat, fading to a relatively smooth but light application to the right top. Then I quickly and lightly added water. It still lifted the pigment to a considerable degree, but you can see the pencil lines under it
2.2 progress
3.1.- progress
4.- This paper isn´t White so the addition of this color will really enhance the painting
Tip, where the ligths are suggested I moistened the paper with a brush and in the center added the White color spreading from the center integrating again with paper
5.- Final touchs, more definition between shadows and ligths and sometimes I use again watercolor pencils to reinforze some líneas or áreas without added wáter at all, but let it dry throughly to be certain with results, before finish it
sábado, 2 de septiembre de 2017
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